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Text on Lara Almarcegui’s Graves (2021) in “Sketches of Transition. An Atlas on Growth and Decay” edited by Michele Bazzoli

Photo: @michele_bazzoli

Premièred at Onomatopee on October 25th, 2023, during the Dutch Design Week, t
he publication “Sketches of Transition. An Atlas on Growth and Decay” brings together the practices of five different artists in relation to the key concept of transition. 

Edited by Italian-born, Amsterdam-based artist 
Michele Bazzoli the book includes a reprint of Latitudes’ text on Lara Almarcegui’s project “Graves” originally commissioned to accompany her solo exhibition at Centre d’Art la Panera, Lleida, curated by Cèlia del Diego and on view between February and June 2021.

Gazing through various apertures of “Sketches of Transition”’s featured researches, each chapter could be considered a sketch of transition in itself, as an annotation on an alternative perspective on the material and visual spheres of our existences. With the same freedom of sketching on a blank paper sheet, the contributions investigate and probe new modes of production of beauty and wonder. 

Sketches of Transition. An Atlas on Growth and Decay
Editor: Michele Bazzoli
Designer: Kai Udema
Texts: Maria Barnas, Michele Bazzoli, Dagmar Bosma, Yana Naidenov, Lara Almarcegui’s text by Latitudes (Max Andrews & Mariana Cánepa Luna)
Publisher: Onomatopee project
Date of publication: October 2023
ISBN: 978-94-93148-98-7


(Above and two below) Views of Michele Bazzoli’s exhibition “Sketches of Transition. An Atlas on Growth and Decay” and namesake publication at Onomatopee, Amsterdam. Courtesy Michele Bazzoli.



Latitudes’ text presents the two new projects Almarcegui produced for her solo exhibition at Centre d'Art la Panera. “Rocas y Materiales de la Cordillera de los Pirineos” (2021) was an austere ordered list presented as a large wall text detailing the quantities of rocks and materials that constitute the Pyrenees (two images below). 

(Above and below) Installation view of “Graves” exhibition at the Centre d'Art la Panera, Lleida. Photos Jordi V. Pou.


The second work, “Gravera” (2021), was a large video projection documenting the industrial complex operated by Sorigué near the town of Balaguer, which temporarily stopped operations for a day (images of the public programme organised during the exhibition below). 

(Above and below) “Gravera aturada” was an event organised by the Centre d'Art la Panera, Lleida, on 19 February 2021, as part of Lara Almarcegui’s solo exhibition. For the occasion, citizens were able to take a tour around Sorigué’s gravel mining and processing plant near Balaguer, which stopped its activity for a day. Photos Jordi V. Pou.








RELATED CONTENT:
    • Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
    • 18 marzo 2021, 18:30h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola, 8 Mar 2021
    • 11 de julio 2019, 19h: Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM), 25 June 2019
    • ‘Thinking like a drainage basin’ essay in the catalogue of the exhibition ‘Lara Almarcegui. Béton’, 8 April 2019
    • Works by Lara Almarcegui included in the exhibition “4.543 billion. A Matter of Matter”, CAPC musée d'art contemporain de Bordeaux, 2017
    • Report from Urdaibai: commission series ‘Sense and Sustainability’, Urdaibai Arte 2012 22 July 2012
    • Launch of the monograph ‘Lara Almarcegui. Projects 1995–2010’, edited by Latitudes at 'The Dutch Assembly', ARCOmadrid, 15 February, 19-20h 14 February 2012
    • Photos 'In conversation with Lara Almarcegui', 19 May 2011, TENT, Rotterdam 6 June 2011
    • Portscapes bus tour: Lara Almarcegui wasteland tour and Christina Hemauer & Roman Keller's 'Postpetrolistic Internationale' choir performance 10 November 2009
    • Text on Lara Almarcegui's project for Expo Zaragoza 2008 and exhibition at Pepe Cobo, Madrid 28 October 2008
    • Catálogo 'Estratos', texto sobre Lara Almarcegui, PAC Murcia 2008, 28 Mayo 2008
    • Lara Almarcegui, “Wastelands” in “LAND, ART: A Cultural Ecology Handbook”, Royal Society of Arts and Arts Council England, 2006
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    Cover Story – April 2021: Lara Almarcegui at La Panera

     April 2021 cover story on www.lttds.org


    The April 2021 monthly Cover Story ‘Lara Almarcegui at La Panera’ is now up on our homepage: www.lttds.org

    “Latitudes participated in a roundtable and wrote the exhibition text for Lara Almarcegui’s ‘Graves’ (Gravels), currently on view at the Centre d'art la Panera, Lleida, until 30 May. “What possibilities begin to emerge when the excavation at a quarry is stopped?”, the text wonders.

     Continue reading

    → After April 2021 this story will be archived here.

    Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


    → RELATED CONTENTS
    • Archive of Monthly Cover Stories
    • 18 marzo 2021, 18:30h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola, 8 Mar 2021
    • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
    • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
    • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
    • 11 de julio 2019, 19h: Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM), 25 June 2019
    • ‘Thinking like a drainage basin’ essay in the catalogue of the exhibition ‘Lara Almarcegui. Béton’, 8 April 2019
    • Works by Lara Almarcegui included in the exhibition “4.543 billion. A Matter of Matter”, CAPC musée d'art contemporain de Bordeaux, 2017
    • Report from Urdaibai: commission series ‘Sense and Sustainability’, Urdaibai Arte 2012 22 July 2012
    • Launch of the monograph ‘Lara Almarcegui. Projects 1995–2010’, edited by Latitudes at 'The Dutch Assembly', ARCOmadrid, 15 February, 19-20h 14 February 2012
    • Photos 'In conversation with Lara Almarcegui', 19 May 2011, TENT, Rotterdam 6 June 2011
    • Portscapes bus tour: Lara Almarcegui wasteland tour and Christina Hemauer & Roman Keller's 'Postpetrolistic Internationale' choir performance 10 November 2009
    • Text on Lara Almarcegui's project for Expo Zaragoza 2008 and exhibition at Pepe Cobo, Madrid 28 October 2008
    • Catálogo 'Estratos', texto sobre Lara Almarcegui, PAC Murcia 2008, 28 Mayo 2008
    • Lara Almarcegui, “Wastelands” in “LAND, ART: A Cultural Ecology Handbook”, Royal Society of Arts and Arts Council England, 2006
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    18 marzo 2021, 18:30h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola


    Lara Almarcegui, ‘Rocas y materiales de la Cordillera de los Pirineos’ (2021). Cálculo realizado por Javier Ramajo y Carlos Galé, IDEYA RED PROFESIONAL S. L. L. con el apoyo de Alejandro Robador del Instituto Geológico y Minero de España. Una producción del Centre d'Art la Panera con la colaboración de Centro de Arte y Naturaleza, Huesca, y Espacio Portalet, Sallent de Gallego. Foto: Jordi V. Pou. Cortesía de la artista.


    Programada en el marco de la exposición individual de Lara Almarcegui “Graves” comisariada por Cèlia del Diego en el Centre d'Art la Panera (19 marzo–30 mayo 2021), la mesa redonda “Transformación geológica y construcción artificial” reunirá a la artista, el comisario Juan Guardiola y a Latitudes en una conversación online el próximo 18 de marzo a las 18:30h.

    A continuación un fragmento del texto de la exposición escrito por Latitudes (descargar pdf):

    A través del ejercicio un tanto inverosímil de medir una cordillera, Almarcegui aborda la paradoja que las prácticas de estandarización, cuantificación y matematización que han dado lugar a un extraordinario valor y conocimiento a lo largo de los últimos siglos también representan el avance de una perspectiva que ha permitido la mercantilización y la gestión de la naturaleza. Durante los siglos XVIII y XIX se volvió a imaginar el planeta cartografiando, midiendo y haciendo prospecciones. Estos procesos métricos revolucionarios aceleraron la apropiación de la riqueza de la naturaleza, poniéndola bajo un control sistemático y facilitando su rentabilidad.

    (...)

    La exposición de Almarcegui busca nada menos que una convergencia de estos marcos temporales rotos a través de la fuerza del arte y un vaivén de escalas y temporalidades entre grava y edificios, el aparente “reloj detenido” de la extracción durante todo un día y la masa absoluta de un macizo montañoso “intemporal” de millones de años. Tanto la industria de La Plana del Corb como la que se ocupa de calcular la masa de los Pirineos, pretenden extraer valor y de alguna manera computar fenómenos que son, significativamente, inconmensurables e inexplicables y que van más allá de la falsa creencia que tenemos suficiente conocimiento.

    Lara Almarcegui, ‘Gravera’ (2021), vídeo, 10 min. Cámara: Daniel Lacasa. Editor Pablo Gil Rituerto. Una producción del Centre d'Art la Panera con la colaboración de la Fundación Sorigué. Foto: Jordi V. Pou. Cortesía de la artista.


    Imágenes de la exposición “Graves” en el Centre d'art la panera y de la visita a la planta Sorigué, realizadas por Jordi V. Pou. “Graves” es una producción del Centre d'Art la Panera, con la colaboración de la Fundació Sorigué y el Centro de Arte y Naturaleza de Huesca.


    → CONTENIDO RELACIONADO: 

    • 11 de julio 2019, 19h: Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM), 25 June 2019
    • ‘Thinking like a drainage basin’ essay in the catalogue of the exhibition ‘Lara Almarcegui. Béton’, 8 April 2019
    • Works by Lara Almarcegui included in the exhibition “4.543 billion. A Matter of Matter”, CAPC musée d'art contemporain de Bordeaux, 2017
    • Report from Urdaibai: commission series 'Sense and Sustainability', Urdaibai Arte 2012 22 July 2012
    • Launch of the monograph 'Lara Almarcegui. Projects 1995–2010', edited by Latitudes at 'The Dutch Assembly', ARCOmadrid, 15 February, 19-20h 14 February 2012
    • Photos 'In conversation with Lara Almarcegui', 19 May 2011, TENT, Rotterdam 6 June 2011
    • Editing the forthcoming publication 'Lara Almarcegui. Projects 1995–2010' 18 March 2011
    • Portscapes bus tour: Lara Almarcegui wasteland tour and Christina Hemauer & Roman Keller's 'Postpetrolistic Internationale' choir performance 10 November 2009
    • Text on Lara Almarcegui's project for Expo Zaragoza 2008 and exhibition at Pepe Cobo, Madrid 28 October 2008
    • Catálogo 'Estratos', texto sobre Lara Almarcegui, PAC Murcia 2008 28 Mayo 2008
    • Lara Almarcegui interviewed by Florence Grivel in UOVO magazine, 2007


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